Neighborhoods: Lincoln Park and the Legion of Honor

In the northwestern corner of the San Francisco is a patch of green and an art museum.

The museum is the Legion of Honor and I headed over on a rainy Friday to see the current exhibit: Manet & Morisot. I also love to look at the museum’s permanent collection.

The museum is a 15 minute drive from my Sunset Digs and being a member means I can visit the museum as many times as I want.

One of two lions framing (or guarding) the entrance to the Legion. I sketched the other lion.

Looking at the masters: Rodin, Van Gough, Picasso, Monet, and others always inspires me to sketch. What I love about looking at the real deal as opposed to a facsimile is that you can really see the hand of the creator on the canvas or board. This was very true of the expressionists as they lay paint on in heavy patches. Step a few feet back to see what emerges!

Field sketching with Sutro Tower in the background. This tower has a way of appearing in many of my San Francisco field sketches.

Vertigo and Gallery 6 (1958)

The Legion of Honor was used as a filming location in Hitchcock’s masterpiece, Vertigo (1958).

It was featured twice, both the exterior and one of the museum’s galleries, Gallery 6.

Detective Scottie Ferguson (James Stewart) is on a case and he follows Madeleine (Kim Novak) to the Legion of Honor. She sits for hours looking at a portrait of a lady. Scottie finds out it is a portrait of a lady named Carlotta.

Looking into Gallery 6. James Stewart stood next to the column on the right and in the background Kim Novak sat on a bench toward the left wall.

While Gallery 6 still looks much the same as when filming took place here in 1957, the paintings on the wall were not here. The Carlotta portrait was painted for the film by John Ferren and removed once filming was completed. But what about the other paintings?

This view shows the wall in Gallery 6 where the portrait of Carlotta hung. Kim Novak sat on one of the benches that have not changed since 1957 although the paintings in the gallery have changed.

Now it was time for a painting goose chase and I didn’t have far to go.

In adjacent Gallery 7 I located two paintings that James Stewart stood in front of during the Gallery 6 scenes. Two pieces of San Franciscan cinema history!

This is French painter
Nicolas de Largillière’s Portrait of a Gentleman (1710).
The other painting seen behind James Stewart is by French painter Carle Vanloo and is titled Architecture (1753).

For my sketch of Galley 6 I sketched in a continuous-line technique to get the shape of the room and then lifted my pen to add details. So it’s continuous-ish.

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