One of my favorite westerns was released in 1952 and in 2022, has turned 70.
High Noon has risen above so many of the other westerns made at the time. It still holds up today because, well, it’s simply a great movie.
The majority of interiors and exteriors were filmed on the Columbia Pictures Ranch in Burbank. There are a few locations in Northern California, outside of Hollywood that still exist, and I have visited most of them and sketched them too.
I returned to Warnvillie, a collection of houses, cows, and railroad tracks. This location is one of the most famous locations featured in High Noon and I wanted to sketch it again but from a different perspective.
Before I had attempted to assume the angle of cinematographer Floyd Crosby’s (yes David’s dad) camera, looking westward down the rails, longingly anticipating the noontime train.
It was here that the three outlaws (including Lee Van Cleef) wait the return of Frank Miller who has just been released from prison. It was also the location where Grace Kelly and Katy Jurado board the noontime train on their way out of Hadleyville. And only one of them succeeds. See the film, trust me, it’s worth the 85 minutes.
This time, for my sketch, I sat just to the right of the tracks. Directly in front of me was the site of the Hadleyville Train Depot set, now gone. On the left side of the tracks is the only structure still standing from the filming in the summer and spring of 1951.
This is a corrugated roofed and sided structure that looks like it might have been a pump house. A little further down the tracks are three parallel concrete slabs which are all that remains of the Warnerville water tower, which is prominently seen in the film. The water tower, like the steam locomotives that once pulled freight on this line, are now long gone.
As the tracks lead off toward the horizon, in the direction of Oakdale, the hills remain very much unchanged from 70 years ago.
The train that pulls into Hadleyville at noon features Sierra No. 3 on point hauling the “movie train” consist of cars five and six.
The build up to the train’s arrival is one of the things that make High Noon such a great film. As the minute hand creeps towards noon, Fred Zinnemann and Crosby gives us portraits of the townspeople who nervously await the train, none more so than Marshall Will Kane, who sits at his desk writing out his lay will and testament. The three outlaws have been waiting for the arrival of Frank Miller, the man the Kane put away. The four of them will come into town with only one objective: to kill Will Kane.
A long pull on the whistle cord of Sierra No. 3 announces the arrival of the noon train and Kane will have to do all in his power, without the help of the citizens of Hadleyville, to save his own life.