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Paradise Park

With the current pandemic and the shelter in place order, I chose to shelter in Paradise during my Spring Break. My family cabin is in Paradise Park, just up Highway 9 from downtown Santa Cruz.

Here I have more legroom than my digs in San Francisco and the population density here is far less than the 7 by 7 mile County and City of Saint Francis. Another factor was that San Francisco had almost 1,000 Covid-19 cases and the larger (by size) County of Santa Cruz had just 90 (at the time of writing). This seemed like a no brainer! Head to Santa Cruz for my two week Spring Break.

This move allows me to spread out, breath fresh air, and be amongst the redwoods and river. It also gives me a very familiar patch to sketch from. Here I know all the birdsongs and paths, all the secluded river beaches, and the places of solitude and rest. And I certainly needed both after three weeks of distant teaching.

Some of my favorite sketching locations in the Park are my redwood deck and different locations on the San Lorenzo River, certainly the most important landform that runs through the Park. A beach that I have always loved both as a place of repose and sketching is what is known in my own person geography as Corona Beach (this was named long before the infamous virus).

To get to Corona Beach involves heading up stream with some bush whacking, fording the San Lorenzo (which was trying to take my feet from under me), and then a little more bush whacking to arrive at a small, sloped river beach. Today it was occupied by a young couple, so I headed up stream (social distancing, dontcha know) and arrived at Upper Corona Beach. A smaller bit of sand on the river side. This is clearly a feral beach, wild, rugged, and something Mary Oliver might write a poem about. Well Mary is no longer with us so I guess I will have to give it a go. . . . a poem hasen’t blessed my brain at the moment (the trouble with poetry) so I did a sketch instead (featured sketch).

I also like to be in open air and sketch the green treescape of the view. This was a excise in creating depth in a sketch. In this desk sketch I included a poem:

With distance,

Objects fade,

Colors run cool,

Details become form,

Like the time,

ten years ago,

My father told me

something

Which I want

to remember.

With this deck sketch I tried to work with creating depth with warm and cool colors and tone. I also worked on my brush work to create the treescape.
Roof view of my cabin surrounded by big-leaf maple, douglas-fir and redwood. The redwoods on right contains Bird Box #2 (the redwood on the left). More on the box in a later post.

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End of the Line: Davenport

In these times of social isolation, I headed north out of Santa Cruz on Highway One. My destination was the small town of Davenport.

A branch line runs from the coast mainline at Watsonville Junction to Santa Cruz, north along the coast to the Davenport Cement Plant. The plant was built in 1907 by the Santa Cruz Portland Cement Company. This cement plant became one of the largest producers of cement. At the height of it’s production, during World War II, the plant shipped out 700,000 barrel of cement a year. Cement from this plant helped rebuild San Francisco after the 1906 earthquake and fire and also supplied cement for such major construction projects as Pearl Harbor and the Panama Canal.

The cement plant was later acquired in 2005 by Mexico’s CEMEX. The plant was closed for good, in 2010 and now the rails stand rusted, overgrown and the end of the line disappears into vegetation.

The Davenport railroad to nowhere sums up the plight of America’s railroads. At it’s height, in 1916, the United States Railroad network consisted of 254,000 miles of track, the largest rail network in the world. From 1916 to the present day, 160,000 miles of track have been closed down and abandoned. The current rail network stands at about 94,000 miles of trackage.

Railroad companies saw passenger service as a losing hand, as trains were competing with the automobile and the increasing use of passenger air travel. The railroads were in dire straights in the 1960’s and passenger service was saved by the creation of AMTRAK in 1971 (the year of my birth). This service is a government subsidized and controlled service which now serves an average of 30 million passengers annually.

Railroads companies still exist to this day but they earn their profits from freight and not passenger service. They keep America moving and most Americans are unaware both of their legacy in creating the United States and there present impact in moving goods around the county. As Christian Wolmar notes in his excellent book, The Great Railroad Revolution, “America needs to relearn the joys of railroads that have served them so well in the past and, indeed, continue to do so today, albeit invisibly.”

The American railroad stands at a crossroads as the plight of high speed rail in California seems like a far off dream.