Santa Cruz

The Bigfoot Discovery Museum

In 2026, the Bigfoot Discovery Museum in Felton, California is about as hard to find as the Sasquatch itself.

I always love curious roadside attractions and it seems when you combine a highway (Highway 9) with coast redwoods, you are bound to find a Bigfoot museum.

The museum was founded by Stanford grad Michael Rugg in 2004. At the age of four, Rugg saw Bigfoot and claimed to have locked eyes with the mysterious being. He later worked in Silicon Valley during the dot com boom and the eventual bust. After the bust he opened the museum.

A friend and I visited the museum, just up the highway from my cabin, about 15 years ago.

The museum contains a curious mix of artifacts including plaster foot casts, Harry and the Hendersons memorabilia, a picture of Chewbacca, supposed Bigfoot scat, and a section about the famous Patterson-Gimlin film.

The famous frame 352 of the Patterson-Gimlin Film. Should the fact the it was filmed at Bluff Creek be an inside joke? The jury is still out if this is indeed a hoax.

My friend thought the museum was creepy and we didn’t stay long. In truth you could see the entire small museum in less than 15 minutes.

This museum is very reminiscent of many private museums on highways; they are a mixture of hard science (cryptozoology), cheesy gift shop, and the really ridiculous.

The cheesy, ridiculous side seems to undermine the main purpose of the museum: proving the existence of Bigfoot.

In 2025, there was a fire in a cabin behind the museum but the museum and its collection was spared. Maybe the blaze was set by Sasquatch, to destroy evidence of his existence.

After 20 years in business in the San Lorenzo Valley (not really known as a hotspot for Bigfoot sightings) the museum closed with Rugg’s retirement.

An odd carved bear has replaced the wooden Bigfoot carvings. The statues were definitely cheesy including an adult with a young one on its shoulders.

By the time I sketched the former museum, the only evidence left that this was a building dedicated to the search for hidden life was the mural painted on the side of the red barn.

I would firmly put this mural in the cheesy, ridiculous column.

Stagnero Bros, Santa Cruz Wharf

Sometimes sketching is a form of time traveling; A way to time travel to your own past.

On a March Saturday morning, before the sun was above the horizon, I found myself at the end of the Santa Cruz Municipal Wharf.

Before me was a long building that looked more like a seagoing vessel than a restaurant. My panoramic sketchbook was open and I started my continuous line sketch as the day was coming to life.

The building is designed in the Streamline Moderne style. The aerodynamic lines makes it look like an art deco ship. The bar upstairs looks like the pilot house.

This is Stagnero Bros, a Santa Cruz institution.

In my youth I spend much time with my dad and brother on the wharf watching the sea lions, inspecting what fisherman were reeling in, looking at the fish on ice at Stagneros, and eating burgers at Nelson’s.

A lot has changed in those 40 odd years. Nelson’s is gone and so are my father and brother and I don’t eat burgers anymore.

But the business on the wharf has been going since 1937.

The Stagnero’s was founded by Italian immigrants from a small fishing village in the province of Genoa.

Matteo Stagnero worked various jobs including fishing in the waters of the bay before opening a seafood market and cocktail room on the wharf in 1937.

The restaurant and seafood market has expanded since then with it’s latest Streamline Moderne building.

There should be a warning: DO NOT LOOK AT THE SUNRISE.

I love sketching the curved lines and portholes of this style of architecture. This style also lends itself nicely to a continuous line sketch.

Stagnero Bros is now the last building and business on the wharf after about 150 feet of the wharf, containing a restaurant and restroom, collapsed into the bay during a storm in December of 2024.

The restaurant and fish market has some cinematic pedigree as well. It was featured in the highest grossing Dirty Harry film, Sudden Impact, of “Go ahead, make my day” fame. Sudden Impact (1983), was the only film in the series directed by it’s star, Clint Eastwood.

Three scenes were filmed here. It was at the fish market that two of the baddies are employed that Harry dispatches at the Boardwalk during the climactic ending. Perhaps this is why no mention of the film is to found on the restaurant’s website.

When the filming took place in the spring of 1983, the restaurant looked a bit different. Since then, the restaurant was remodeled in its neo-Streamline Moderne style but I have not found information on when the renovation took place.

I have always loved the Stagnero’s logo. That orange fish breaching the waves with a smile on its fish lips always puts a smile on my lips especially when I pass one of their delivery trucks in the Bay Area.
The California sea-lions still love the wharf, even though it’s shorter.

SLO Coast Starlight

The AMTRAK route that parallels the west coast from Los Angeles to Seattle is the Coast Starlight, a journey of 1,377 miles.

In those 1,377 miles the only place that both the northbound and southbound (Trains 14 and 11) meet at a station is San Luis Obispo.

Northbound 14 arrives from Los Angeles at 2:50 PM (if on time) and waits for southbound train 11 (due at 3:24) to descend the single track down Cuesta Grade. And I planned to be there to do some sketching.

Both Coast Starlights at the station in SLO. Train 14 to the left and 11 on the right.

My plan was to sketch the northbound Train 14 at SLO station. In the age of steam, the Coast Daylight (SF to LA) stopped for only three minutes at San Luis Obispo in order to keep to its timetable.

During this short stop the Southern Pacific GS (Golden State or General Service) steam locomotives would be serviced and tender topped off with water. A helper locomotive would either be cut in or cut off depending on the direction of the Daylight.

My sketch of one of the most famous steam locomotives in the world, Southern Pacific’s GS-4 No. 4449. This has been deemed “the most beautiful passenger train in the world” and SLO was one of her stops.

Now the AMTRAK train would stop for about 15 minutes, allowing passengers a stretch break, for some passengers this is also known as a smoke break.

The Superliners at San Luis Obispo under beautiful January sun.

I figured 15 minutes was more than enough time to get a quick sketch in of the train at the platform before the locomotive’s loud retort announced its continued journey up the Cuesta Grade towards Seattle.

I took up my sketching position a little before the Starlight’s arrival. I penciled in the foreground and the trees in the background, not knowing which trees would be eclipsed by the double decker Superliner cars. The answer was: most of them.

When the train pulled into the station, I switched to pen. I love sketching without a net!

Train 11 heading towards Los Angeles with the AMTRAK’s new motive power, Seimens Charger on point. On the right is the Surfrider train on a side track.

While waiting for the northbound Coast Starlight, I found a bench and sketched the statues near the station called the Iron Road Pioneers, with Bishop Peak in the background.

The statues are a monument to the Chinese immigrant workers who built much of the railroads on the central coast as well as other seminal railroads such as the Transcontinental Railroad.

McDonnell Douglas F-4C Phantom II

I returned to the Pacific Coast Air Museum in northern Santa Rosa to sketch one of my favorite airplanes: the F-4 Phantom II.

Throughout my life I have been fascinated by things with wings: birds and airplanes. Growing up in Sunnyvale, California, my bedroom window looked out towards the flight path on final approach to Moffett Field, US Navy base.

During my childhood, the most common aircraft that flew by my window was the submarine hunter P-3 Orion. The patrol aircraft were stationed at Moffett.

Every summer, we headed up to the roof during the annual air show to watch the Blue Angels. At the time they flew A-4 Skyhawks but in the year of my birth they, and the Air Force performance team the Thunderbirds, flew the McDonnell Douglas F-4 Phantom II.

This airplane is a beast. At the time it was one of the most powerful fighters in the air reaching speed just over Mach 2. It had earned the nickname the “Flying Brick”.

A docent at the museum who was stationed on an aircraft carrier said you new when you were in the mess when an F-4 took off because you coffee cup shook with power of the fighter’s thrust.

A pre-museum sketch of an aerial beast.

A childhood hobby was building scale model airplanes and my favorite was an F-4 hand painted camo livery.

Looking head on at the F-4C.

I was now going to Santa Rosa to sketch a full scale fighter with a similar camo paint scheme.

The iconic vertical and angled horizontal stabilizers of the F-4. This jet is an absolute beast.
A continuous line sketch of four planes at the museum. The plane on the left, F/A 18 Hornet is what the Blue Angels currently fly. The camouflaged F-4 is on the right.

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End of Wharf

In December of 2024 a winter storm hit the seaside city of Santa Cruz bringing with it 25 foot swells.

One structure that took the brunt of the surge was the Santa Cruz Municipal Wharf.

The current wharf was built in 1914 and at 2,745 feet is the longest wooden pier on the west coast of the United States.

Is the Santa Cruz What f still the longest wooden wharf on the west coast?

That all changed with the winter storms of December of 2024 which took 150 feet of the wharf into the bay on December 23. The section included the closed Dolphin Restaurant and a public restroom. The restroom washed ashore at the mouth of the San Lorenzo River, looking like a Mississippi River boat.

The wharf had been closed but then reopened January 4, 2025. I wanted to head out to the wharf, where I have many fond childhood memories, and sketch the new end of the wharf.

The Dolphin used to be the last restaurant at the end of the wharf. That honor now goes to the historic Stagnero’s. This restaurant and Gilda’s was a favorite of famed director Alfred Hitchcock who had a home in nearby Scott’s Valley.

The Stagnero Brothers restaurant is designed in a Streamlined Moderne style looking like an ocean-going vessel of the 1930s.

One of the draws at the end of the wharf where openings where you could look down at the resting California sea lions that used the wooden substructure as a haul out location.

The sea lions are still here, they use other sections of the wharf to haul out.

Near the beginning of the wharf there is an old wooden fishing boat which I also sketched.

It was early in the morning and there were already men fishing from the wharf. The wharf is no longer used for industrial fishing but is now used for recreational pursuits.

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The Giant Dipper at 100 (My 700th Post)

A recent Labor Day tradition has been to ride one of my favorite roller coasters of all time. It’s also my birthday weekend.

This is not a steel coaster with high speeds, loops, and corkscrews. This is a 100 year old wooden roller coaster at the Santa Cruz Beach Boardwalk.

The big dip of the Giant Dipper.

This is the Giant Dipper and is the oldest roller coaster in California.

I have ridden the Dipper many times since I was tall enough to ride it and like my father before me I ride it every summer. And the ride remains as thrilling now as when I was young!

Partly because I’m not sure how this elderly ride still remains safe and standing. This is a testament to the care and maintenance that keeps the dipper rolling.

The ride starts off dropping into a pitch black tunnel and when it rounds a curve you see the lift incline to take the train to the top of a 65 foot drop. There is a slight pause as the coaster drops, reaching speeds of 55 miles an hour before accelerating up a banked curve and the the coaster takes some rises and dips that nearly lifts you out of your seat. The coaster returns to the boarding station one minute and 52 seconds after leaving it, leaving most riders out of breath and with a hoarse voice from screaming!

Since 1924, more than 66 million riders have ridden the crazy train that is the Giant Dipper.

The Boardwalk and Giant Dipper have been featured in some films including: The Sting II, Harold and Maude, Sudden Impact, The Lost Boys, Us, and Dangerous Minds.

The classic sign was featured in the finale of the fourth Dirty Harry film Sudden Impact.

Over the Labor Day weekend, I sketched the Giant Dipper three times. Two were in a small “point and shoot” journal (a gift from my students). One sketch was from the perspective of one of my favorite movies featuring the Dipper, Hal Ashby’s Harold and Maude.

There is a scene filmed on the Santa Cruz Wharf with the lights of the Giant Dipper in the background. This is the scene where Harold gives Maude a token that says, “Harold Loves Maude” and Maude proceeds to chuck it into the ocean saying, “Now I’ll always know where it is.”

I returned on Sunday morning with Grasshopper and sketched the Dipper from the empty parking lot off Beach Street (featured sketch).

A point and shoot sketch from Beach Street.
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Coastal Rail Trail

On a gray Saturday morning I decided to explore a recently opened section (opened in December 2020) of the Coastal Rail Trail in Santa Cruz.

The section I was exploring (Segment 7) is between Natural Bridges Drive and Bay Street. The walk takes about 30 minutes and the round trip covers about two miles.

As the name implies, the paved pedestrian trail parallels the former Southern Pacific Davenport branch line from Watsonville to Davenport.

As of the date of writing only two sections of the trail have been opened, one in Watsonville and the section I was walking on in Santa Cruz.

At grade crossings there are pedestrian signals that stops cars so you can cross the street safely. Well that’s the theory anyway. With the trail recently open, pedestrians should still use caution and not assume all vehicles will stop for you.

When the trail is completed, it will cover 32 miles from Davenport to Watsonville. There are also plans to introduce electric rail service using the former Southern Pacific right of way and trackage.

I started where the rail trail ends: Natural Bridges Way.

The Rail Trail passes by the former Wrigley Chewing Gum plant (left). The plant was in operation for more than 40 years and produced 20 million sticks of gum per day. The plant had a rail siding that is still visible today.

In my college days I remember visiting the gum factory with my roommate in an unsuccessful attempt to get a plant tour. The receptionist told us that they didn’t give tours but asked us if we would like some gum! We answered in the affirmative and then opened a drawer full of gum. I went for Big Red while my roommate picked Juicy Fruit.

The trail is level as it parallels the rail grade. Railroad grades normally don’t exceed 2%. The steepest mainline railroad grade is 3.3% on the Raton Pass grade in New Mexico. A railroad grade is expressed as a percentage the grade rises or falls over 100 feet of horizontal distance. So a 2% grade rises and falls two feet over a 100 feet distance. These gentle grades are ideal for walking and biking.

I passed by the New Leaf Market at Fair Ave, often my first stop when I head into town, as the trail and line turns slightly to the left skirting the Westside Circles neighborhood.

I came upon a scenic curve in the trail at Lennox Street as the rails and trail curve off to the right as it nears Bay Street. I pulled my sketchbook out of my bag and started sketching the view (featured sketch).

On the right of the spread I sketched the grade crossing sign at Dufour Street with Coastal Rail Trail sign below the crossbuck.

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Where the Rails End

Today the only way to get from Los Gatos to Santa Cruz is to drive over Highway 17. You can no longer take a passenger train. The last train ran in 1940.

On the other side of the Santa Cruz Mountains, you can board a train at the Santa Cruz Beach and Boardwalk and it will take you 6.8 miles north into the mountains to the town of Felton.

Detraining here you follow the line past the train shed and machine shop of the Roaring Camp and Big Trees Railroad and the old passenger and freight depot and then you cross Graham Hill Road and walk north on the rails toward Zayante, using the rusty rails as a guide.

The line begins to parallel Zayante Creek. The road builders used the watersheds of the Santa Cruz Mountains as a route to work up and down the summit. A good part of the Santa Cruz to Felton route parallels Santa Cruz County’s largest river, the San Lorenzo.

After a few miles you eventually come to a siding, this is the former stop of Eccles near Olympia Station Road. This was a flag stop as far back as 1901. There was once a passenger shelter (1913) and a freight platform.

The main line and siding at Eccles. The 310 foot siding was probably used to store lumber cars.

The station sign remained in place until 1942, when the station was decommissioned following the abandonment of the the railroad.

After World War II, passenger service was not resumed and the station shelter was torn down. The Eccles sign was saved and was on display at the Santa Cruz Museum of Art and History in downtown Santa Cruz.

Here’s where the Eccles station sign used to be at the Santa Cruz Museum of Art and History. It’s gone, like the rails that once reached over the Santa Cruz Mountains.

One a recent visit to the museum the sign was no longer on display.

I continued north as the siding rejoined the mainline. And after about a five minute walk, the tracks end without much ceremony. There is no bumper stop to mark the end. And one tail is longer than it’s mate, 4 feet and 8 1/2 inches away.

This is the end of the line and as far north as the tracks go.

The end of the tracks and the end of an era.

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Tunnel No. 8

Of all the tunnels on the former South Pacific Coast Railroad there is only one that is still in use for it’s intended purpose. That is Tunnel No. 8, the Mission Hill Tunnel.

This tunnel takes the line through Mission Hill because the town of Santa Cruz did not want the railroad to run through downtown. So they had to bore through the sandstone of Mission Hill. This meant the tunnel was prone to caving in so it was reinforced with internal redwood beams.

The tunnel is built under the Mission Santa Cruz Cemetery and in the early days, steam locomotives passing though would rattle and shake up the earth and occasionally a bone or two would fall onto the line leaving a macabre find for rail crews.

In 1985 the Southern Pacific line was purchased by Norman Clark, owner of the Roaring Camp & Big Trees Narrow Gauge Railroad, and passenger service was revived from Felton to Santa Cruz, a round trip of 16 miles.

The Big Trees & Pacific coming off of Chestnut Street in Santa Cruz on it’s return to Felton. The railroad has some of the most street running rail of any tourist railway. The train is pulling into the right of way heading towards Tunnel No. 8.
The train disappearing into Tunnel No. 8 on its way to Felton.
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Shady Gulch Trestle

Just up the creek from my cabin is one of the remaining wooden trestles on the former South Pacific Coast Railroad (in 1887 the railroad became Southern Pacific). This is the Shady Gulch Trestle.

Not only does this trestle still exist but is still used for rail service on the Big Trees and Pacific Railway.

Shady Gulch Trestle with the Highway 9 concrete bridge (1930) in the foreground. The dirt road to the right is the former Eben Bennett toll road. The concrete highway bridge replaced the toll road.

The original trestle was built in 1875 to span Shady Gulch. At the time, the line was built for the narrow gauge South Pacific Coast Railroad. When Southern Pacific acquired the line they rebuilt the trestle in 1905 to accommodate standard gauge.

The trestle of today very much looks like the original narrow gauge trestle of the late 19th century, sans graffiti of course.

The afternoon Felton-bound Big Trees and Pacific crossing the Shady Gulch Trestle. This tourist train tends to stop traffic on Highway 9.

My father spend his childhood summers in the cabin in the 1930, 40s, and 50s. He would tell me of the time a freight would be climbing the grade on the trestle on their way to Felton on a foggy summer’s morning. The wet track would cause the locomotive’s driving wheels to slip. And after many slips and the hyperbolic “chuff-chuff-chuff” of the stream exhaust, the train would back down the grade, sanding the track as they reversed. The freight would make another attempt, this time slowly with the sanded rails helping the drivers grip the steel. And off they went to Felton.

There is a single one car pull off on the north side of the highway bridge. I made three attempts to sketch the trestle but was foiled by a camper van that was camped out in the spot.

Was this guy going to spend the night here? On my third attempt of the day, in late afternoon, the van was finally gone and I was able to park, set up my sketching chair, and start my sketch of the trestle.

I timed my sketching time with the Felton bound afternoon Big Trees and Pacific train.