The California Zephyr Train # 5 was early coming into Denver’s Union Station. And we departed from the Mile High City, right on schedule.
We climbing up into the Tunnel District, so named because the Zephyr passes through 28 tunnels. The king of all tunnels in this stretch, if not any stretch in North America, has to be the Moffat Tunnel. The tunnel is 6.2 miles long and crosses under the Continental Divide meaning that once we come out of the west portal of the tunnel, the waters will be flowing to the west coast and behind us, the water flows east. At 9,239 ft, the tunnel is the highest point anywhere on the AMTRAK system.
On the western side of the Moffat Tunnel is the stop of Fraser-Winter Park. The next stop on the western route is the small Colorado mountain town of Granby. The conductor told us the little story of Marin Heemeyer and his Killdozer.
Heeymeyer was from South Dakota but moved to Colorado where he became a popular member of the community and one of the best welders in the area. He opened a successful muffler business in Granby. Over the following years Heemeyer feuded with the city and others over zoning, building permits, sewage lines, and entry roads to his business. Over that time many in the community crossed Heeymeyer, which was a big mistake because Marv can really hold a grunge.
He bought a Komatsu D355A bulldozer and he sold his business and property and then rented a building on his former property from the new owners where he secretly modified the bulldozer. For over a year he worked on his bulldozer by fortifying it with steel and concrete creating an indestructible machine of destruction. On June 4, 2004 at about 3:00 PM Heemeyer put his plan into action.
During the two hours and seven minute bulldozer rampage, Heeymeyer destroyed 13 buildings (including the city hall, police station, the former mayor’s house, and newspaper offices). The killdozer caused seven million dollars of damage. The police where helpless to stop the bulldozer and the rampage only ended when the killdozer got stuck while destroying Gambles hardware store and Heeymeyer ended his own life.
The California Zephyr Train number 6 pulled into Colfax Station running about 30 minutes late.
I was boarding the Zephyr with my mom and her husband Steve and we were heading to Denver, Colorado. We would be spending the night and eating three meals a day on the Zephyr. This is AMTRAK’s longest daily route and it is a village on rails.
I did a few pre-trip sketches. The first is of the predicted consist of our train. A consist is the make up of the train, for instance: two locomotives, a baggage car, three sleeper cars, a diner car etc. I anticipated two locomotives and eight cars. Turns out I guessed right. I sketched them in and I would label them later during our first stretch break in Reno, Nevada. The second was the baggage cart outside Colfax Station, which I did the day before we boarded the Zephyr.
I was familiar with sketching from the California Zephyr from my previous trip last April. You have to sketch fast, taking in passing information creating an overall composite or impression. The brush pen was the perfect tool for Zephyr sketching.
One of my favorite Zephyr sketches was done in Room A (Mom and Steve’s room) during happy hour. We where somewhere east of Reno.
On my way back to the Bay Area from my Malibu adventure, I overnighted in San Luis Obispo. There was a water tower, across the line from the passenger depot that I wanted to add to my sketchbook. One of the few Southern Pacific water towers still standing in California.
I timed my visit with the arrival of Train # 14, the northbound Coast Starlight. This is an AMTRAK route that starts in Los Angles and terminates in Seattle, Washington.
I had about 20 minutes to sketch the water tower before the 14 pulled into San Luis Obispo. The train was already running 30 minutes late. I picked my position and started to sketch. A voice over my shoulder ask if was riding coach or had a roomette.
The voice belonged to an AMTRAK conductor who was about to board the train, SLO is a crew changeover point. I told him I wasn’t boarding the train, just sketching the tower. We had a conversation about other Southern Pacific existing water towers. He recommend a very large tower in the desert of Arizona that I should visit.
With the recent heavy precipitation over Donner Pass, I wondered aloud if the rotary plows at Roseville had been put to work to clear the pass. The conductor didn’t know. Before long the Coast Starlight pulled into the station and I looked down at my sketchbook and I hadn’t gotten very far but I had a nice conversation with a railroad working man. Two rail nerds chewing the fat!
SLO is was is called a stretch stop, also known in another time as a smoke stop, where the Starlight pauses for about 20 minutes so passengers can get out and stretch their legs, or poison their lungs with nicotine. This is also where crews, engineers and conductors, change over.
I couldn’t continue sketching because a double decker Superliner passenger car was now between myself and the historic water tower. So I watched the interactions on the platform instead. Passengers where doing laps, other where boarding, some hanging back from the train were vapping, and the train crew was in the process of changing over.
“All aboard!” And passengers filtered back into the cars. The locomotive sounded it’s horn. It was time for the Starlight to start its climb up the Horseshoe Curve on the Cuesta Grade and I watched the train slowly disappear around the curve.
I now turned back to the water tower and restarted my sketch.
The SLO 65,000 gallon water tower was built in 1940, at a cost of $2,130. The watertower was built across from the passenger station so steam locomotives could take on water without having to back into the yard further south down the track. At that time, ten passenger trains passed through SLO. The tank was in service until 1956, when steam was replaced with diesel on the coast line. The tower was preserved and restored by 1998.
Colfax, California is on the original Transcontinental Railroad. At Colfax, the climb of the western flank of the Sierra Nevada Mountains begins in earnest. The town started as a railroad construction camp and then was renamed by Governor Stanford to honor Vice President Schuyler Colfax who visited to check the progress on the western side of the Transcontinental Railroad.
What is special about Colfax is that it is one of the few places on the California Zephyr’s 51 hour and 20 minute route where trains 5 (westbound) and 6 (eastbound), pass within minutes of each other. That is, if the Zephyr is running on time, which is not too often. In California, the AMTRAK passenger service runs on Union Pacific rail and freight always has right of way. It pays the bills after all.
Both Zephyrs where scheduled to be at Colfax within a few minutes of each other at about 12:30 PM. At about 12:15, people with their suitcases began to arrive at the platform. I love the romance of train travel. The farewells at the station as one prepares for a rail journey, often to see far off friends and family over the Christmas Holiday.
12:30 came and went and no Zephyr.
Both Trains 5 and 6 were late. This is AMTRAK after all, a passenger service not known for it’s punctuality. The Chicago-bound, Train #6 was running about 30 minutes late. It had left Emeryville in the morning at 7:21 AM.
Train #6 pulled into Colfax station at 12:59 PM. I had positioned myself on the east side of the grade crossing at Grass Valley Street. The Zephyr had an eight car consist with a baggage car and seven passenger cars and was pulled by two locomotives. The train was too long for the station platform so when the Zephyr stops at the station, it stops traffic on Grass Valley Street. I had no way of knowing which car would be stopped at the grade crossing. It lent a bit of improvisation and serendipity to the sketch. And I would only have a short time to sketch the scene because the Zephyr would be in the station for about three minutes as passenger boarded or disembarked.
The train slowed to a stop and the baggage car came into sketch-view. I would be sketching this car. Great, there are less windows on the baggage car! I quickly sketched in the form of the car and then worked inward to add details. I had all the information I needed in about two minutes of sketch-time (you do lose sense of time when sketching). I would later add a few more details and paint.
Train number 6 headed out of Colfax toward Cape Hope and the summit of the Sierra Nevada Mountains at Donner Pass and then on to Reno, Salt Lake City, Denver, and eventually Chicago. I checked the status of the westbound train train number 5. It was running an hour and a half late. In about 10 minutes I found out the reason why.
Coming down from the summit was a UP freight wearing a dusting of snow on it’s pilot as it headed down towards the Bay Area. The five locomotives (four on point and another at the end) where hauling a long container consist that keeps a lot of trucks off our highways. The Zephyr was running behind this train which explains why it was running an hour and a half late.
I didn’t wait for the westbound Zephyr, I had already gotten my sketch in the book!
My brother spent almost half of his life in the Central Valley college town, Davis, California. He attended the University of California at Davis (UCD), worked in it’s public and private schools, got married, and raised his three children in “The City of All Things Right and Relevant!”
For Mother’s Day we where meeting my mother and sister-in-law in Davis so I arrived a little early to I sketch the historic train station and do a little railfanning.
Most towns start with a train station and Davisville, as Davis was then known, got their passenger depot in 1868. The original station burned down and the current station was built by Southern Pacific Railroad in 1913. The station is built in a Mission revival style. The University Farm, which later became UCD, opened five years before the current building was finished. At the time, the University wanted a befitting station to the town and the university stop. And they certainly got one!
Three passenger trains stop at Davis: the Capital Corridor, AMTRAK’s Coast Starlight, and the California Zephyr.
I sat on the north side of the station and sketched it’s Mission Revival stylings. The station is island by three sets of tracks which at the time was an important stop on the Cal-P line. While I was sketching the station, I was very familiar with it’s curved lines, arches, and tile roof because I had sketched all of California’s Spanish Mission and a few Southern Pacific Mission Revival stations (Burlingame Station comes to mind). Davis Station and the Davis Tower are the only examples of Mission Revival in the city of Davis.
There were a few clues that a train was coming down the line at Davis Station. The first was that the signal light was green, meeting that whatever train was heading down the line had the “high ball”, in other words, the train had the right of passage. The other clue was that people began to arrive at the station with their flowers in pots or plastic; it was Mother’s Day after all.
At 10:40 AM, a westbound Union Pacific freight train sped through the curve at Davis Station on track 1, the engineer giving me a thumbs up as the train rumbled through. At 10:50 AM, on track 2, the eastbound Capital Corridor train #724, pulled into Davis to take on passengers on her way to California’s capital: Sacramento.
The westbound Train # 731 was right on time and pulled into Davis at 11:10 AM. This Capital Corridor passenger train was heading to San Jose.
On point was locomotive 2004. I looked down at the front truck, containing the leading axels of the locomotive and stenciled, in yellow, where the two letters “GP”. In an odd bit of coincidence, I has replaced the initials “SP” on the Davis Station with my brother’s initials, “GP”, as an honor to his memory.
“Trains seems to rattle out stories, as though the motion of the track acts to shake up thoughts and loosen tongues. There’s a world outside the window and a whole separate world within.” ~Ticket the Ride, Tom Chessyre (My California Zephyr book)
For a while now I have wanted to ride the California Zephyr, one of AMTRAK’s most scenic routes.
Last Spring, I had to cancel my train journey but this Spring Break I booked an abbreviated trip, not departing from Emeryville but Colfax and detraining in Denver instead of Chicago.
I chose Colfax because it is a 35 minute drive from my mother’s house in Penn Valley. The train was running two minutes late. When I would finish the journey to Denver, the number 6 was running two hours late. Freight trains are given priory over passage service like the California Zephyr.
Four other people boarded at Colfax, two middle aged women looked like they were headed to Reno. The two other travelers were a bit older and appeared to be heading further down the line. They are all traveling in coach. I never saw them again.
Colfax is not one of the “Fresh Air- Smoke Break” stops (oxymoron I know), so the Zephyr stops only long enough to pick up or drop off passengers.
Number six pulls into Colfax. The platform is too short for the two locomotives with the eight car consist. I am on the first car behind the locomotives, sleeper car 32048 and roomette number 003. This will be my address for the next 30 hours or so. Once I have boarded, the train slowly pulls forward so the Reno travelers can board the coach car, at the end of the train.
There is something wonderful about stepping off the platform and into another moving world. The California Zephyr is a self-contained world with everything you could possibly need: food, drink, a bathroom, and a bed (not to mention the amazing views).
The locomotive throttled up and headed east out of Colfax and my car attendant showed me to my roomette (featured sketch). I set my bag down and I headed to the opposite side of the train to see the first of many views: Cape Horn. If there is one problem with the Zephyr is that there are great views on both sides of the train and unless your sitting in the observation car, your roomette faces only one side of the train.
I book a late lunch in the dining car with the dining car attendant, John. I head to the observation car and wait for my name to be called. Here I do my first sketch abroad the Zephyr. Over the course of the journey I do many more.
John, also known as Big John, seems to have worked for Amtrak for a while. He reminds everyone that they are short staffed for this leg of the journey. This is because many of the Amtrak workers have been furloughed because of Corvid-19. At one point, one of the engineers helps out with lunch service. Don’t worry. Some engineers are on board and there was someone at the controls as we headed over the Sierra Nevada Mountains.
I enjoyed talking train talk with the engineer, now promoted to dining car assistant. He tells me a little about the locomotive and we discuss the recently restore Big Boy 4014, that largest steam locomotive in operation.
After lunch I head back to my roomette and do some more scenic sketches.
Last spring break I booked a roomette on the California Zephyr, a 2,438 mile journey from Emeryville, Ca to Chicago, Il. This route passes through such cities as Sacramento, Truckee, Reno, Salt Lake City, Denver, Omaha, and Chicago. It is one of the most scenic routes on the AMTRAK network.
Last spring I was going to travel the entire route but then Covid 19 happened and I had to cancel the trip. I knew that this rail dream was deferred and at first chance I would rebook this trip because I have always wanted to travel by rail through the Sierra Nevada and the Rocky Mountains.
The opportunity came in spring break of 2021. Instead of traveling the whole route, I booked a round trip with a roomette from Colfax, Ca (near my mom’s house) to Denver, Co. This stretch includes the most scenic parts of the route and Denver provides it’s own destinations.
On this trip, I plan to do many quick sketches of train views along the route. At California Arts Supply in San Mateo, I got a custom Ronquad which is a 4 by 6 piece of card stock that would be a template for framing each sketch. I used my Ronquad on the featured sketch.
But why Denver and not Chicago? Both cities provide great sketching opportunities but Denver has an edge over Chicago: life birds! I had a few ABA lifers on my list: scaled quail, dusky grouse, American three-toed woodpecker, brown-capped and black rosy-finch, sharp-tail grouse, and the much sought after white-tailed ptarmigan. And while Chicago offers lots of architecture sketching opportunities, Denver has that too but also beautiful landscapes.
The Zephyr stops at the historic Union Station in downtown Denver and I booked a “Pullman” room in the hotel at the station, the Crawford Hotel. I admit this is a bit a splurge but I love the idea of stepping off the train in the evening, after a two day trip, and walking a short distance to my room in Union Station. It seems a throwback to a different era. An era when more people travelled by rail, when the airline industry was in it’s infancy.
As I do before any trip, I do a few sketches to build knowledge and excitement. The featured sketch is from the AMTRAK website for the California Zephyr. This location looks to be somewhere in the Rocky Mountains. I also like to do a map of my future journey. In this case, Train 6, from Colfax to Denver with all the stops in between.
On a Saturday morning I drove over the Bay Bridge to the Emeryville Amtrak Station to sketch the California Zephyr Train # 6. This is the train I booked a roomette on back in April. I had to cancel the trip because of the pandemic. This route usually runs seven days a week but with the current Covid situation, it now runs just three times a week: Tuesday, Thursday, and Saturday. Unfortunately I would not be board the train, although it was very tempting!
I wanted to challenge myself to do a quick sketch because I didn’t know how long the California Zephyr would be at the platform before it departed. I guessed I would have at least 15 minutes because the engineer stepped out of the cab and walked down the platform to a get a packed lunch while the conductors assisted with boarding. I liked the ephemeral nature of this challenge because unlike a piece of sculpture or architecture, the Zephyr was not going be here for long. For this task, it helps to have a smaller journal so I went with my Stillman & Birn Delta Series 6 X 8″ sketchbook.
I also wanted to work with perspective by sketching the train as it reversed toward my eyeline and vanishing point. If you don’t get the perspective right, the whole sketch can fall apart. That’s why it’s best to lay in your perspective lines in pencil.
Emeryville is the western terminus of it’s 2,438 mile journey and train number 6 pulled into the platform at 8:45 AM to take on it’s first passengers. I first established where my eye or horizon line was by holding my pencil straight out at arm’s length and closing one eye. I added the line to my sketch. I then blocked in the position of the front of the locomotive. Next, I added the vanishing point on the eyeline. This is where all the lines of the receding train converge. Now it was about adding shapes and details and then inking the sketch before the Zephyr departed at it’s schedule time of 9:10 AM.
After the California Zephyr departed, right on time, I headed south into West Oakland to take a look at the old station that Emeryville Station replaced. This is Oakland’s 16th Street Station.
The current building was designed by architect Jarvis Hunt in a Beaux-Arts style and completed in 1912. It was Southern Pacific’s main passenger station in Oakland. Passengers could take ferries from Oakland Pier to San Francisco, which was two miles away.
Once the Bay Bridge was built, in 1936, it put an end to ferry service and passengers then could take buses over the bridge to get into San Francisco. In 1971, Amtrak took over passenger service from Southern Pacific.
On October 17, 1989, the Loma Prieta Earthquake struck, severely damaging 16th Street Station. The earthquake also damaged the Cypress Structure, which was parallel to the railroad tracks. 14 blocks of this double deck freeway structure, collapsed or was damaged starting at 16th Street and heading to the MacArthur Maze. In total, 42 people lost their lives here. The most in any single location.
In the 1990’s, the rails were removed to make way for the construction of the 880 Freeway which replaced the Cypress Structure and 16th Street Station was left marooned without rails. The station was closed on August 5, 1994.
From 16th Street Station I headed two miles to the Oakland Pier. This was once the busy hub of Southern Pacific’s Western Division. Oakland Pier was one of the busiest rail terminals in the country handling 763 trains a day and 56,000 passengers in a 24 hour period.
To control all this rail traffic, the Oakland Pier Control Tower made an average of 1,900 switches in a day! The majority of railroad tracks are now gone and the Oakland Pier is busy with shipping and truck traffic. The only reminder of this busy railroad hub is the remaining control tower.
“The only way of catching a train I have ever discovered is to miss the train before.” ~G. K. Chesterton
The romance of the rails on a long distance journey has always been calling me. Being rocked to sleep to the rhythm of the rails and meeting strangers on a train, drew me to want to go on an American rail odyssey. On my Spring Break, I booked a ticket on the California Zephyr, from Emeryville in California to Chicago, Illinois. This is Amtrak’s longest daily route. The route covers 2,438 miles and makes 33 stops.
Then the pandemic was upon us and I cancelled by railway journey and sheltered in place for my two week break in the Santa Cruz Mountains. The lure of the rails became the lonesome far-off whistle of a Johnny Cash song (sans Folsom Prison of course).
During early July, I visited my mother near Grass Valley in the Gold Country. She lives 40 minutes away from one of the 33 stops on the California Zephyr Route. So I decided to go make the drive to Colfax.
Colfax is on the route of the Central Pacific side of the Transcontinental Railway and it was, at one time, a railway camp called Camp 10. The camp was later called Illinoistown but was again renamed after the Speaker of the House, Schulyer Colfax by Leland Stanford, when Colfax came to see the progress on the railroad. Colfax later served as the 17th Vice President during Ulysses S. Grant’s first term.
The town of Colfax (population 1,800) bears an important meeting point of the east and westbound Zephyrs. The westbound train (Number 5) arrives at Colfax at 11:48 AM. The train’s final destination is Emeryville in the San Francisco Bay Area. The eastbound train (Number 6) arrives less than 30 minutes later at 12:21 PM. Train number 6’s finally destination is Chicago, the journey will end about 50 hours later, if the the Zephyr is running on time.
I arrived at Colfax Depot at 11:20. Train number 5 was running on time so I found a view point next to the line and sketched in the perspective, the railway crossing sign, and the background trees. Now all I needed was the California Zephyr to pull in for her portrait and do a quick sketch with my brush pen before she departed. I figured I had about five minutes.
The westbound Zephyr was running a little early, which was pretty incredible because the train’s origin was Chicago. The train rolled to a stop and two passengers disembarked and I was able to get a loose brush pen sketch in before the train made it’s way down the gentle slope of the western side Sierra Nevada Mountains towards Sacramento, the original terminus of the Transcontinental Railroad.
The eastbound train was running about 20 minutes late. So I crossed the tracks and found a new vantage point right next to the rail crossing guard. The Chicago bound Number 6 pulled into Colfax and I have a short time to sketch the Zephyr. A woman passenger had decided to crossed the tracks, always a bad idea with an approaching train, and she became cut off as the Zephyr blocked the road and sidewalks to load and unload passengers. I’m not sure if she caught her train.
While I longed to catch the train I missed back in April, it was good to see, if not sketch, this iconic American railway route, the California Zephyr.
I have always wanted to travel on the original Transcontinental Railroad, from the West Coast to the East and see some the sights from the original right of way over the Sierra Nevada and Rocky Mountains. The closest you can come to doing this today is by taking the California Zephyr.
AMTRAK operates the California Zephyr from Emeryville to Chicago (not the East but the Middle Coast). The daily route covers 2,438 miles and takes 51 hours and 30 minutes (that is if the train is running on time). The route covers seven states and stops at 35 stations including Sacramento, Reno, Salt Lake City, Helper (Utah), Denver, and Omaha, to name a few of the major stops.
So I booked a roomette for my Spring Break in April. Which at $550, I thought was a good deal because it included two nights and all the food was part of the fare.
Since the time of booking the trip, the spread of Coronavirus and Covid-19 (not related to Corvid in any way!) in the United States has thrown a monkey wrench into the works. At this time my continental train trip hangs in the balance as some predictions estimate that the virus might spike in late April.
One thing that I sketched, regardless of if I would be boarding the California Zephyr in Emeryville in early April or not, was to sketched out the route with all the stops in a visual map (featured sketch). I also drew the locomotive that is used on this route, the P42DC, with all it’s specifications (below).